The ownership of Black imagery and death is considered in the story of Tamara Lanier’s fight to reclaim the daguerreotypes of her enslaved ancestors from Harvard.

In Glitch Feminism, Russell makes a series of radical demands through memoir, art, and critical theory, as well as the work of contemporary artists—including Juliana Huxtable, Sondra Perry, boychild, Victoria Sin, and Kia LaBeija—who ...

"I have used Bitter's book since the first edition and have yet to find a better textbook focusing on the same topic.... I feel that the material in this text is very important for developing an understanding of educational technology.

Coray worked with her husband to compile these books of notes and other sources into a manuscript, which was then copied.