RMFCY69P–portrait of armande hippolyte louis fizeau 1819 1896 physicist
RMBCE750–In 1849, French physicist Armand Fizeau used this method to achieve the first terrestrial measurement of the speed of light.
RMPPYKYN–Man and boy; Armand-Hippolyte-Louis Fizeau, French, 1819 - 1896, Nöel-Marie-Paymal Lerebours, French, 1807 - 1873, France
RMD5DW2J–Portrait of Armande-Hippolyte-Louis Fizeau (1819-1896), Physicist
RM2N9GYNN–Armand Hippolyte Louis Fizeau (1819 – 1896) French physicist, best known for measuring the speed of light in the namesake Fizeau experiment. Photo of Hippolyte Fizeau in 1883 by Eugène Pirou
RMHRP77R–Hippolyte Fizeau, French Physicist
RMEP6TT3–Armand Hippolyte Louis Fizeau, 1819 – 1896. French physicist.
RMD96P6P–Hippolyte Fizeau (1819-1896) French physicist. Measured the velocity of light on the earth's surface (1849). Used Doppler principle to determine velocity of stars in line of sight. Confirmed the wave theory of light. From 'Les Merveilles de la Science', Louis Figuier, (Paris, 1870). Engraving.
RM2PHMGM3–ARMA. ND FIZEAU (1819-1896) French physicist in 1883. First person to accurately measure the speed of light.
RMAJA2TD–Hippolyte Fizeau, French physicist, 1870. Artist: Unknown
RMKJ1JJR–Engraving depicting Hippolyte Fizeau's apparatus for determining the speed of light. Hippolyte Fizeau (1819-1896) a French physicist. Dated 19th Century
RMG5X6CG–Fizeau, Hippolyte, 23.9.1819 - 18.9.1896, French physicist, wood engraving, out of: 'Buch der Erfindungen, Gewerbe und Industrien, Otto Spamer publishing house, Leipzig - Berlin, 1864 - 1867,
RMKC5AG0–Man and Boy, Armand-Hippolyte-Louis Fizeau, ca. 1841
RF2HW4J49–Art inspired by Man and Boy, ca. 1841, Photogravure, Armand-Hippolyte-Louis Fizeau (French, 1819–1896, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC6R74–St. Sulpice, Paris, Armand-Hippolyte-Louis Fizeau, ca. 1841
RF2HW4J2R–Art inspired by St. Sulpice, Paris, ca. 1841, Photogravure, Armand-Hippolyte-Louis Fizeau (French, 1819–1896), Unlike William Henry Fox Talbot’s paper negative process, which allowed for multiple positives to be made from the same negative, the daguerreotype process produced only a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRC3GPK–Armand Hippolyte Louis Fizeau (1819-1896), French physicist and astronomer. Engraving, 1873.
RMKYMRBA–Portrait of Armande-Hippolyte-Louis Fizeau (1819-1896), Physicist 2551602002 o
RM2B8W8G2–City Hall under Louis Philippe. City Hall of Paris 'Hôtel de Ville sous Louis Philippe. Hôtel de Ville de Paris'. Photographie de Louis Armand Hippolyte Fizeau (1819-1896) d'après un daguerréotype de Noël Paymal Lerebours (1807-1873). Procédé photomécanique (estampe). Paris, musée Carnavalet.
RMJ3MX1E–Hippolyte Fizeau
RMHRNW4J–Hippolyte Fizeau, French Physicist
RMJ7T26F–Armand Hippolyte Louis Fizeau, St. Sulpice, Paris
RMCWCEPC–The FIZEAU Shot was part of the controversial Operation Plumbbob series of nuclear tests. Sept. 14, 1957 at the Nevada Test
RM2A48GX6–Fizeau Foucault-First Photo of Sun 1845.
RMP5KR50–122 Armand Hippolyte Louis Fizeau by Eugène Pirou - Original
RMKJ1JK2–Engraving depicting Hippolyte Fizeau's apparatus for determining the speed of light. Hippolyte Fizeau (1819-1896) a French physicist. Dated 19th Century
RM2BGH9BJ–Hippolyte Fizeau.
RM2B9A78A–Fizeau Street (formerly Street Nice Frontier)
RM2F0DADK–Plumbbob Fizeau.
RMKC6R75–Maison Élevée Rue St. Georges par M. Renaud, Armand-Hippolyte-Louis Fizeau, ca. 1841
RF2HW4HX1–Art inspired by Maison Élevée Rue St. Georges par M. Renaud, ca. 1841, Photogravure, Photographs, Armand-Hippolyte-Louis Fizeau (French, 1819–1896), From a daguerreotype plate by Noël-Marie-Paymal Lerebours (French, 1807–1873, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMW51NGN–Countryside view with chateau or palace at crest of hill, Armand-Hippolyte-Louis Fizeau (French, 1819 - 1896), about 1842, Daguerreotype, tithonotype, 9.2 × 15.4 cm (3 5/8 × 6 1/16 in
RMRNF180–A Fizeau Instrumentation Package or 'pogo stick', Nevada, United States.
RM2B9NRT3–View of Saint-Sulpice, making the roofs of the house Fizeau, 17 rue du Cherche Midi, 1840, 6th district Vue de Saint-Sulpice, prise des toits de la maison de Fizeau, 17 rue du Cherche-Midi, vers 1840. Paris (VIème arr.). Photographie de Louis Armand Hippolyte Fizeau. Daguerréotype quart de plaque, 1840. Paris, musée Carnavalet.
RM2NRG6HJ–The Fizeau experiment
RMPAXN3A–[Man and Boy]. Artist: Armand-Hippolyte-Louis Fizeau (French, 1819-1896). Date: ca. 1841. Museum: Metropolitan Museum of Art, New York, USA.
RMP5KR53–122 Armand-Hippolyte-Louis Fizeau, Maison Élevée Rue St. Georges par M. Renaud, ca. 1841
RMKJ1JK1–Engraving depicting Hippolyte Fizeau's apparatus for determining the speed of light. Hippolyte Fizeau (1819-1896) a French physicist. Dated 19th Century
RM2AHPWGK–Armand-Hippolyte-Louis Fizeau. Peasant Father and His Son. 1842. France. Photogravure
RM2CBA894–Excursions Daguerriennes. Vues et monuments les plus remarquables du globe, 1840s.
RF2HW4J3E–Art inspired by Excursions Daguerriennes. Vues et monuments les plus remarquables du globe, 1840s, Etchings, aquatints, lithographs, and photogravures after daguerreotypes, Photographs, Noël-Marie-Paymal Lerebours (French, 1807–1873), Armand-Hippolyte-Louis Fizeau (French, 1819–1896, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B0KKEM–Noël-Marie-Paymal Lerebours, Excursions Daguerriennes. Vues et monuments les plus remarquables du globe, Noël-Marie-Paymal Lerebours (French, 1807–1873), Armand-Hippolyte-Louis Fizeau (French, 1819–1896), 1840s, Etchings, aquatints, lithographs, and photogravures after daguerreotypes, 10 13/16 × 15 1/4 × 1 7/16 in. (27.5 × 38.8 × 3.7 cm), Books
RMRNF1B8–A panel on the Fizeau Instrumentation Package or 'pogo stick', Nevada, United States.
RMPPX5Y6–Dome of St. Louis-des-Invalides , Dôme des Invalides; Armand-Hippolyte-Louis Fizeau, French, 1819 - 1896, about 1840 - 1843
RM2NRG6GN–The Fizeau experiment
RMRXKXX6–Peasant Father and His Son. Armand-Hippolyte-Louis Fizeau; French, 1819-1896. Date: 1842. Dimensions: 9 × 6.7 cm (image); 28.5 × 20 cm (paper). Photogravure. Origin: France. Museum: The Chicago Art Institute.
RM2RC3CGD–science, physics, Fizeau's appliance for measuring the speed of light, 1849, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
RM2AJJ27K–Elements of mineralogy, crystallography and blowpipe analysis from a practical standpoint .. . gles. Orthorhombic, the direction coincides with two of the crystalaxes. Monoclinic, one direction ftiay coincide with b, or both lie in theclino pinacoid. Triclinic, the axes have no fixed positions relative to crystal. The increase in expansion may be accurately measured for anydirection by the method of Fizeau, as follows : In Fig. 370 C is a plane parallelplate of the crystal, about 10 mm.thick, which rests upon the steel plateT Three screws pass through T andsupport the glass plate P, which tape
RMHRKJJB–Operation Plumbbob FIZEAU, 1957
RMJFXB7H–Armand-Hippolyte-Louis Fizeau, Maison Élevée Rue St. Georges par M. Renaud, ca. 1841
RMKC5AFY–Excursions Daguerriennes. Vues et monuments les plus remarquables du globe, Noël-Marie-Paymal Lerebours, 1840s
RM2F5FC2W–Man and Boy. Armand-Hippolyte-Louis Fizeau (French, 1819 - 1896)
RMP5KR5M–N/A. English: Unlike William Henry Fox Talbot’s paper negative process, which allowed for multiple positives to be made from the same negative, the daguerreotype process produced only a single example with each use. In response to this limitation, several processes were developed to reproduce daguerreotypes in ink. Hippolyte Fizeau, a scientist and daguerreotypist, devised a method for etching directly into the copper daguerreotype plate, which created a printing plate but destroyed the daguerreotype in the process. The plate could then be used to make multiple prints on paper in permanent in
RF2BE3B8R–Eiffel Tower Names under Viewing Platform
RM2B6C8HW–Bas-relief on the facade of Notre-Dame ParijsBasrelief of Notre-Dame Church in Paris (title object) Property Type: photomechanical print page Item number: RP-F 2001-7-509- 91 Inscriptions / Brands: number, recto, printed: 'Fig. 119.'opschrift, recto, printed: 'Druck nach (...) Bosange 1842.' Manufacturer : Photographer: Hippolyte Fizeau (listed building) clichémaker: anonymous place manufacture: Paris Date: 1900 - or for 1905 Material: Paper Engineering : autotypie Dimensions: print: h 89mm × W 93 mmToelichtingPrent page 372. Subject: sculpture (+ relief sculpture) Where: Notre Dame
RM2EFWJ62–Operation Plumbbob - Fizeau.
RM2C71HEG–[Rooftops, Paris], August 22, 1843.
RMPANTJH–Excursions Daguerriennes. Vues et monuments les plus remarquables du globe. Artist: Noël-Marie-Paymal Lerebours (French, 1807-1873); Armand-Hippolyte-Louis Fizeau (French, 1819-1896). Date: 1840s. Museum: Metropolitan Museum of Art, New York, USA.
RF2B9DPAB–Dome of St. Louis-des-Invalides , Dôme des Invalides, Armand-Hippolyte-Louis Fizeau (French, 1819 - 1896), about 1840 - 1843, Photogalvanic copper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2AXGTA5–A text-book on chemistryFor the use of schools and colleges . Light does not move from point to point instanta-neously, but at a rate which is measurable. From ob-servations on the eclipses of Jupiters satellites, and theexperiments of Foucault and Fizeau, it appears that thisvelocity is about 192,000 miles per second. When a ray falls upon a polished surface it suffers• Fig. 6T. reflection, and when it falls on a transparent mediumit undergoes refraction. Itis in consequence of thisthat convex lenses, as inFig. 67, converge the raysof the sun, and so producea high temperature. Inthis applicat
RMHRKK1X–Operation Plumbbob FIZEAU, 1957
RM2F5F6C4–Countryside view with chateau or palace at crest of hill. Armand-Hippolyte-Louis Fizeau (French, 1819 - 1896)
RMRDXCR1–Armand-Hippolyte-Louis Fizeau, St. Sulpice, Paris.
RM2DCBADN–[Man and Boy], ca. 1841.
RMPAJMYJ–St. Sulpice, Paris. Artist: Armand-Hippolyte-Louis Fizeau (French, 1819-1896). Date: ca. 1841. Unlike William Henry Fox Talbot's paper negative process, which allowed for multiple positives to be made from the same negative, the daguerreotype process produced only a single example with each use. In response to this limitation, several processes were developed to reproduce daguerreotypes in ink. Hippolyte Fizeau, a scientist and daguerreotypist, devised a method for etching directly into the copper daguerreotype plate, which created a printing plate but destroyed the daguerreotype in the proce
RF2B979KA–Countryside view with chateau or palace at crest of hill, Armand-Hippolyte-Louis Fizeau (French, 1819 - 1896), about 1842, Daguerreotype, tithonotype, 9.2 × 15.4 cm (3 5/8 × 6 1/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2AGC6HF–. Lehrbuch der allgemeinen chemie. die-ser Resultate mit der allgemeinen Theo-rie der Elasticität krystallisierter Me-dien ist später von W. Voigt nachge-wiesen worden; letzterer hat auch dieallgemeinen Formeln entwickelt,^) umaus Biegungs- und Drillungsbeobachtungen die Elasticitätskonstanten derKrystalle zu bestimmen. Von K. R. Koch 2) ist 1878 auf den Vorschlag Warburgs ein Ver-fahren ausgearbeitet worden, welches gestattet, sehr kleine Stäbchen von1-5 bis 2 cm Länge zu benutzen. Es beruht auf dem von Fizeau zur Be-stimmung der Wärmeausdehnung angewandten Prinzipe, kleine Längen-änderungen
RMG14XDD–Color enhanced photo of an atomic bomb explosion. The cloud from Fizeau, the 19th nuclear shot of the Summer 1957 Test Series (Sept. 14th, 1957), begins its ascent to a height of about 40,000 feet. The shot was fired at 9:45 am, PDT, from a 500 foot tower
RM2F5EH76–Dome of St. Louis-des-Invalides / Dôme des Invalides. Armand-Hippolyte-Louis Fizeau (French, 1819 - 1896)
RM2HJ13PA–[Man and Boy] ca. 1841 Armand-Hippolyte-Louis Fizeau French. [Man and Boy] 269070
RM2T85FP7–Armand Hippolyte Fizeau Bas-relief of Notre-Dame de Paris. Ficeau procedure 1842 , 1842
RMRDXCR0–Armand-Hippolyte-Louis Fizeau, Maison Élevée Rue St. Georges par M. Renaud, ca. 1841.
RM2WAXNC6–Bas-relief on the facade of Notre-Dame in Paris, Hippolyte Fizeau, c. 1900 - in Or Before 1905 photomechanical print Paris paper sculpture (+ relief sculpture) Our Lady
RM2HHCC8H–Maison Élevée Rue St. Georges par M. Renaud ca. 1841 Armand-Hippolyte-Louis Fizeau French. Maison Élevée Rue St. Georges par M. Renaud 268645
RM2KJ3446–Project 30-65 - Operation Plumbob (Nevada Test Site) Detonation. FIZEAU fireball: Series of 3, ground views (3 of 3). Photographs of Atmospheric Nuclear Testing at Pacific Island and Nevada Test Sites.
RF2B9EF43–Man and boy, Armand-Hippolyte-Louis Fizeau (French, 1819 - 1896), Nöel-Marie-Paymal Lerebours (French, 1807 - 1873), France, about 1841, Direct etch, 9 x 6.6 cm (3 9,16 x 2 5,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2AX23E1–Traité d'analyse chimique appliquée à la physiologie et à la pathologie; guide pratique pour les recherches cliniques . n primitive 0° — 180° et lon obtient ainsi la déviation pourune raie quelconque du spectre solaire. La formule précédente sert à calculer lepouvoir rotatoire spécifique delà substance. [Celle méthode avait été imaginée par Fizeau et Foucault. Yoy. Ann. chim. etphys., 5e S., XXXIV, 197.] Saeeliarimètrc «le Soleil modifié par Vcittzke. 21. Lesaccharimètre de Soleil-Ventzkc, bien plus compliqué quelappareil précédemment décrit de Mitscherlich, indique dune ma-nière beaucoup plus
RM2EBNAWP–Nuclear explosion at the Nevada Test Site on September 14, 1957 of the 19th test of Operation Plumbbob code name FIZEAU. From- Plumbbob Fizeau 001 (cropped).
RM2DCBACT–St. Sulpice, Paris, ca. 1841.
RM2KJ3433–Project 30-65 - Operation Plumbob (Nevada Test Site) Detonation. FIZEAU fireball: Series of 3, ground views (2 of 3). Photographs of Atmospheric Nuclear Testing at Pacific Island and Nevada Test Sites.
RFRAFWYT–Dome of St. Louis-des-Invalides , Dôme des Invalides, Armand-Hippolyte-Louis Fizeau (French, 1819 - 1896), about 1840 reimagined
RM2CJ5FMK–. The London, Edinburgh and Dublin philosophical magazine and journal of science . of the prism, a tracing was made, on paper dividedinto squares of ^ inch, of the curve representing the intensityof the heat in different portions of the visible spectrum, as deter-mined by MM. Fizeau and Foucault (Ann. de Cliim. 5 ser. xv.p. 377)—the position of the fixed lines in the spectrum, asgiven by them, being marked on one edge of the paper, whichwas taken as the x axis, and a scale of wave-lengths in tenth-metres laid down at right angles to this, and the curve forthe dispersion of the prism constructe
RMPE7FY0–Armand Hippolyte Louis Fizeau by Eugène Pirou - Original.
RM2GPNY52–Peasant Father and His Son, 1842. Photogravure.
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